Selasa, 05 Maret 2013

Sony Cyber-shot DSC-TX30 - slimmest waterproof compact camera

Sony Cyber-shot DSC-TX30 - slimmest waterproof compact camera

The new Sony TX30 is built for photographers who want to document their active lifestyles, whether it's windsurfing, snowboarding or just hanging out at the pool with the family. Sony claims the TX30 is the world's slimmest waterproof compact camera -- measuring at just 3 7/8" wide x 2 3/8" tall x 5/8" deep (96.4 x 59.3 x 15.4mm) -- and it features a sleek, slick style that stands out from the rugged digicam crowd.

Serious upgrades
The Sony TX30 gets a significant bump up in a number of performance areas over last year's model, including resolution where the camera sports an 18.2-megapixel (effective) 1/2.3-inch Exmor CMOS sensor, as well as an extended optical zoom range of its Carl Zeiss Vario-Tessar lens to 5x (26mm to 130mm equivalent) and a max apertures of f/3.5 (wide) and f/4.8 (telephoto). Additionally, the TX30's waterproof capabilities have (literally) been deepened to 33 ft. (10m), while it remains shockproof from a fall of up to 5 ft. (1.5m) and freezeproof down to 14-degrees Fahrenheit (-10°C).

The upgraded, top-of-the-line waterproof Cyber-shot also gets a touchpanel OLED monitor that's bigger than the TX20's LCD, now measuring 3.3" diagonally and giving a bigger viewing for composing and capturing underwater and terrestrial shots alike. For macro shooting, the Sony TX30 also features a new up to 15x Magnifying Glass Plus mode and a built-in LED light that Sony says can help you focus on subjects as close as 1 cm.

Improved modes
Like the other Cyber-shots announced in February 2013, the TX30 also gets Sony's new, improved Superior Auto Mode that helps photographers get the right shot by automatically adjusting the camera's settings for composition and lighting, as well as by adding Picture Effects ranging from Toy Camera to Partial Color. For the TX30, Beauty Effect mode allows you to re-touch your portraits and remove blemishes, whiten teeth and open squinting eyes.

Since the camera is designed to capture on-the-go action, the Sony TX30 records video in Full HD 1080p, and also shoots 10 frames per second at full resolution in burst still mode. Intelligent Sweep Panorama mode allows for full 360-degree shots, as well as Underwater Sweep Panorama.

Availability
 The Sony Cyber-shot TX30 will start shipping in the U.S. in March for US$350, and will be available in black, orange, blue or pink.




source: http://www.imaging-resource.com/PRODS/sony-tx30/sony-tx30A.HTM

Nikon Coolpix P330 Review

Nikon is a relative newcomer to the small, high-quality compact camera market. Although for the past couple of years the Coolpix P300 and P310 offered excellent build quality and a similar user experience to competitive models like the Canon PowerShot S110, neither featured a raw capture mode, and both used comparatively small 1/2.3" sensor rather than the 1/1.7" sensors commonly found in their high-end peers.

The Nikon Coolpix P330 changes this dynamic, offering both raw mode and a larger, lower-resolution sensor (almost certainly the same 12MP one found in the Coolpix P7700), without sacrificing what was good about its predecessors - a compact form factor, relatively fast lens, good build quality, and a useful zoom range. As such it represents Nikon's most serious attempt to offer a real competitor to the Canon PowerShot S110 and its popular predecessors the S100 and S95. At an MSRP of $379, the P330 is competitive on price, too.
Nikon Coolpix P330: Key Specifications

    12.2MP BSI-CMOS sensor
    Raw Mode (.NRW)
    24-120mm (equivalent) F1.8-5.6 optically-stabilized zoom lens
    ISO 80-3200 (up to ISO 12,800 in manual mode)
    Maximum 10fps shooting (for 10 frames)
    Full HD, 1080/60i/30p movie recording
    3" 921k-dot rear LCD screen
    23 Scene modes including 3D
    Built-in GPS
    Approx 200 shots per charge (CIPA)

The Coolpix P330's lens is the fastest in the current Coolpix lineup, offering a maximum aperture of F1.8 at the wide end, just like its predecessor the P310. Don't get too excited though, because like Canon's PowerShot S110, the P330's lens gets pretty slow, pretty quickly as you zoom in. At the 120mm telephoto setting, its maximum aperture is F5.6. Not bad, and wide enough to give a hint of subject/background separation for portraiture, but not exactly 'fast'. Unfortunately, if you want a camera with a big sensor that still fits into your shirt pocket, this is the sacrifice that you have to make. Users of rivals such as Sony's Cyber-shot RX100 will be all too familiar with the compromise.
The P330 might look like an iterative upgrade to the P310, but the new camera has a larger 1/1.7" sensor, inherited from the P7700, and offers a raw capture mode. Both features should make the new camera more attractive to enthusiasts, and bring it into line with what now seems its most obvious competitor, the Canon PowerShot S110.
Here's how the P330's sensor compares to other cameras in terms of size (illustration to scale, but not actual size).
As you can see, 1/1.7" is a meaningful size increase over 1/2.3", but both are still considerable smaller than the CX-format that Sony uses in its Cyber-shot RX100, not to mention Micro Four Thirds and APS-C.
This graph (click for a larger version) shows the P330's aperture range expressed in terms of equivalent aperture for depth-of-field purposes. Because of the size of its sensor, the P330's aperture range of F1.8-5.6 is roughly equivalent to F8-22 when it comes to ability to offer background blur. This might not sound impressive, but it a fraction better than Canon PowerShot S110's lens in this respect.
In other regards, the P330 is basically what we'd expect of a camera in this class, at this point in time. Full manual exposure control is available, and PASM modes can be accessed from the exposure mode dial on the camera's top plate. The P330 has two command dials - one on the top, for operation with the thumb of the right hand, and one on the rear, comprising the 4-way controller.

As well as PASM modes, the P330 also offers a range of Scene modes for JPEG capture, and in common with most of its peers, GPS is built-in, too. The camera is also compatible with Nikon's WU-1a Wi-Fi adapter.

Body & Design 


Like most compact cameras, the P330 lacks an optical viewfinder but its 3-inch, 921,000 dot LCD serves for image composition and review. The P330 differs from its big brother the P7700 in many ways, but significantly, it lacks a hotshoe, and its built-in flash cannot be used as a controller for external flashguns. This also distinguishes it from larger peers like the Fujifilm X20, Olympus XZ-2 and Panasonic LX7, all of which feature faster lenses, hotshoes, and in the case of the X20, a built-in optical viewfinder, too. The P330, like Canon's S110, sacrifices some of this versatility for reduced size and weight.

The P330's control logic is the same as that of the P310, with two control dials located on the top plate and rear of the camera for adjusting key exposure parameters. Unlike its main competitor the Canon PowerShot S110, the P330 does not offer a front-mounted control dial. This is a shame, since we've found that performing some actions - particularly aperture and exposure compensation - feel very natural using a control point in this position.

The P330's tiny built-in flash is activated with a mechanical catch and springs up from the camera's top-plate, providing enough power for relatively close-range portraits and 'fill in' when shooting outdoors.

On the front of the P330 you'll find a tiny Fn button, positioned within easy reach of your forefinger to the lower right of the lens. The button can be programmed to provide access to one of a number of options including image quality, Picture Control, white balance, metering, and ISO, among others.

A traditional exposure mode dial on the P330's top plate provides access to PASM exposure mode, as well as a user-configurable 'U' setting, full auto (shown as a green camera icon) Scene modes and Night Landscape mode.

This view shows the P330's integrated zoom control and shutter button. Behind it and to the right you'll see one of the P330's two command dials, used for setting exposure parameters.

And here's the second one, positioned on the rear of the camera.

Both dials are controlled with the thumb of your right hand, and by default, the rear dial controls aperture in the PASM modes and the upper dial controls shutter speed, but their functions can be swapped if you desire.

The P330 doesn't have much of a hand-grip, but this rubber accent on the upper-right of the camera's rear helps keep a firm hold when the camera is used one-handed. To its left you can see a flash confirmation light and the movie record button. The five vertical holes conceal the P330's tiny speaker, for audio alerts and video playback.

The P330's EN-EL12 battery and memory card share a compartment on the bottom of the camera, hidden behind a lockable door next to the tripod socket.


source: http://www.dpreview.com/previews/nikon-coolpix-p330/

Samsung Android Galaxy Camera Review

It’s time to take your food and party Instagram photos to the next level. The Samsung Galaxy Camera is the world’s first camera with a mobile operating system and full mobile connectivity. It runs on Android and uses a SIM card for mobile service. For this review, Samsung provided a camera that works on AT&T’s 4G network. Mobile connectivity means you can upload photos no matter where you are – no Wi-Fi necessary. As long as you’ve got a mobile signal, you can share photos and videos, just like you would with your Smart Phone.

What makes the Samsung Galaxy Camera different from a Smart Phone is its larger 1/2.3-inch point-and-shoot sensor and a 21x optical zoom lens with optical image stabilization. Basically – Samsung put an Android operating system into a camera, instead of putting a camera into a Smart Phone. The Samsung Galaxy Camera also has a pop-up flash and a custom camera app that offers full manual controls as well as a suite of scene modes. And of course, since it’s an Android device, you can install whatever apps you want for social networking, photo editing – even music or games. The only thing the Galaxy Camera can’t do is make phone calls – although if you install the Skype app and use a headset, it can do that, too.


    Samsung Galaxy Camera Camera Pros
    • 1/2.3-inch backlit CMOS point-and-shoot camera sensor
    • 21x 23-483mm optical zoom lens with optical image stabilization
    • Android OS with apps
    • Full 4G mobile connectivity
    • Cool custom camera app with P,A,S,M manual controls
    • Beautiful Super AMOLED touchscreen display
    Samsung Galaxy Camera Cons
    • Image quality is disappointing
    • No mobile phone functionality
    • Big compared to comparable point-and-shoot cameras
    • Slow startup
    • Touchscreen controls aren’t as quick as dedicated buttons
    • Saving images to the MicroSD card is confusing
    • Flash is harsh
Samsung Galaxy Camera Key Features and Specs:
  • 16-megapixel 1/2.3-inch backlit CMOS sensor
  • 1920 x 1080 full HD video
  • 21x 23-483mm (equivalent) f/2.8-5.9 optical zoom lens
  • 2.35 x 4.16-inch HD touchscreen display
  • Android 4.1 Jelly Bean OS
  • Pop-up flash
  • Full maunal exposure controls via Samsung’s built-in camera app

  • For the most part, I’ve been using it in place of both a regular point-and-shoot camera and my Smart Phone since then. I’ve even taken skiing a few times. But for the most part, I used it so I could have more control with my Instagram photos. Having that 21x image-stabilized optical zoom lens and manual exposure controls means I can take way better food photos than I can with my camera phone. And having the Android OS, apps and 4G connectivity built right into the camera means I can post photos right from the bar or the ski resort. As much as I love my Eye-Fi wireless SD card, not having to transfer images from my camera to my phone is really nice. I really love being able to zoom to whatever focal length I want, choose the exposure settings myself, process my photos (mostly with Snapseed) and then upload to the Web – all from one device. That’s the perfect workflow!

    Other than it not being a phone, the Samsung Galaxy Camera is an awesome mobile device. As a mobile device, that’s actually my biggest issue – that it’s not a phone. If you’re going to make the effort to design a camera with an Android OS and 4G connectivity, why not just make it a phone, too? The Samsung Galaxy Camera currently costs $499 with a two year mobile contract (AT&T). That’s over twice as much of an initial investment as an iPhone or a Samsung Galaxy S III. For that kind of scratch you shouldn’t have to pay for and carry two mobile devices.

    As a camera, there’s no doubt the Samsung Galaxy Camera is better than a Smart Phone. It’s got a large 16-megapixel (for a mobile device) 1/2.3-inch sensor that has almost twice the surface area of the sensor in the iPhone 5 and Samsung Galaxy S III Smart Phones. And more sensor surface area almost always means better image quality – especially in low light. So you can see for yourself, I’ve included Galaxy Camera and Samsung Galaxy S III Smart Phone comparison images in the Image Quality section of this review. The Galaxy Camera also has a 21x optical zoom lens with optical image stabilization, a pop-up flash and a really nice custom camera app with excellent manual controls as well as scene modes like Landscape, Night, Sunset, Panorama, Action Freeze and Macro. I’m a manual exposure guy so I really like the P,A,S,M manual shooting modes. 

    I think the biggest benefit of the Galaxy Camera compared to a Smart Phone is the lens. The 21x (35mm equivalent) 23-483mm zoom offers an incredible range allowing you shoot everything from wide group photos of people to wildlife photos. The two photos below show the huge difference between shooting all the way wide and zoomed all the way in with the 21x zoom lens. Both photos were shot from the same spot at the same time. You’ll have to click on the first photo and zoom all the way in to locate the people in the photo on the right.

    The 21x zoom lens also allows you to take advantage of the optical affects you get from using different focal lengths. It’s true you could just crop your fixed lens Smart Phone images to match different zoom lengths. There are two problems with that, though. First, you lose resolution and that degrades image quality. If all you’re doing is posting to Facebook or Instagram, the loss of resolution probably doesn’t matter much. But the different optical affects you get from changing focal length are very important. Taking a picture at 200mm and cropping to frame your subject the same way do not give you the same picture. Using a telephoto lens (or zooming in) flattens the space and makes the background appear closer to your subject as well as dramatically changing the depth-of-field. Experienced photographers use telephoto focal lengths to pull the background in closer and isolate their subject against a soft, out-of-focus background. You just can’t do the same thing with a fixed lens Smart Phone. Check out the three photos below to see what I mean. The photo on the left was taken zoomed to about 170mm. The photo in the middle was taken at about 35mm – comparable to a Smart Phone camera lens – and then cropped. For the photo on the right I “zoomed with my feet” and walked up to the house to try to frame it the same way I did in the first photo. You’ll notice each of the photos is very different. This is why I think having a zoom lens is so important. 

    Everyone knows that size really does matter. And the Galaxy Camera is too big. At about 5 x 2.75 inches, the back of the camera – the touchscreen – is about the same size as a Smart Phone (see photo below of my Samsung Galaxy S III phone next to the Samsung Galaxy Camera). That doesn’t take into account how thick the Galaxy Camera is with the grip and lens, though. Plus, all the big camera companies now make pocket superzoom cameras with smaller bodies and a comparable zoom range. For reference, take a look at the second photo below of the Galaxy Camera with a Canon PowerShot SX230 HS. The current version of that camera, the PowerShot SX260 HS, is the same size, has a 20x optical zoom lens and better external controls than the Galaxy Camera. What it doesn’t have is an Android operating system, Android apps, or 4G mobile connectivity. On the other hand, put an Eye-Fi card in the Canon and you can wirelessly transfer photos and videos from the camera to your Smart Phone and have all the functionality you’d have with the Samsung, but with a smaller, better camera. And any of the current pocket superzooms from Panasonic, Nikon, Canon, Sony, Olympus and Fujifilm will easily fit in a pants pocket. You actually don’t even need the Eye-Fi card anymore. Most of the camera companies now make a pocket superzoom camera with built-in Wi-Fi. But the Samsung Galaxy Camera is the only option with a SIM card and real 4G mobile connectivity built right into the camera.




    source: http://reviews.photographyreview.com/samsung-galaxy-camera-review/

    Sony SLT - A99 dSLR Review

    The Sony Alpha SLT-A99 is that the world's 1st full-frame clear mirror DSLR, providing glorious image quality all told lighting conditions and also the same AF performance for video as for stills. it's a 24-megapixel full-frame detector, a high-resolution electronic view finder (EVF), full HD video at sixty frames-per-second, new “Dual AF” machine focus system, a 3-inch tilting show|LCD|digital display|alphanumeric display} display and it will shoot as quick as ten FPS in Tele-zoom high speed shooting mode (6.6 FPS in manual modes).

    Strengths:    Electronic read finder, in body image stabilization, quick and low light-weight focus, focus peaking, a lot of improved dynamic vary and extremely low noise up to 6400 iso,

    Weaknesses:
        No pop up flash. No mill equipped screen shielder

    Bottom Line:  
    Well let ME begin out by locution i do not shoot video therefore i am unable to base any of this review on the a99s video capability. however right out of the box I detected simply however the a99 appears like the a77. they're nearly a similar size however the a99 simply ever slightly larger. Most of the controls ar a similar. One distinction could be a programmable dial on the front of the camera to assist with silent operation once shooting video.

    It conjointly handles pretty much similar to the a77. The menu is sort of identical. All the controls one wants and in smart spots to use them. they're currently 2 Coyote State card slots and that they will be programmed in an exceedingly variety of how. One for video the opposite stills shock therapy. there's conjointly currently a feature known as focus vary. I will set the a99 to focus in an exceedingly sure vary close to and much that keeps the camera from looking the maximum amount. I real smart feature if you recognize concerning however way your target goes to be and also the cameras focus system can solely hunt focus in this vary creating focus faster.

    Sony has conjointly modified it's hot shoe from the Sony style to a standard hot shoe. this may please several as I even have detected complaints concerning this issue for a protracted time.
    But the most important improvement is in image quality. initial the noise. this can be one in every of the primary things that's critiqued once a replacement camera comes out. however do the images look once shooting high ISO? i'm undecided why this has continually been such a problem. i assume it's one thing you'll be able to see initial hand by staring at shots on the net. however additional necessary to ME is dynamic vary and color depth. however pictures ar terribly pack up to 6400 ISO. more than that and also the a99 starts to fall off. however it's nearly nearly as good|pretty much as good} if not as good because the D800. i might suppose the Nikon might need a position however at that i am unable to see why with the a99 you would not be proud of the noise levels. it's an honest stop and a 0.5 to 2 stops higher than the a77 or a850.

    The dynamic vary to ME is that the biggest improvement over the a850. I had to use ND grads and Lightroom to induce my landscape shots prosperous with the a850. I even have closely-held many DSLRs over the years and have continually had to figure at protective the highlights and citing the shadows in post get the detail I wished. it's as those days ar over. I even have shot with a 2 stop grad and have gotten out of camera exposures with none would like for post process. I even have even have shoot a couple of ultimately into the sun wherever associate degree ND grad wasn't necessary the least bit. thereupon i have to say the a99 and Carl Zeiss 24-70mm would possibly simply be the most effective landscape lense jazz band on the market.

    As way as color depth I even have to mention there's nothing wrong with the a850 in this space. however the colour depth of the a99 is actually nice. Deep made correct colours for sure.
    I browse some of negative comments relating to the electronic read noticeer however I find it nothing however nice. although i have not shot lots of burst to examine out write time to the cardboard or the buffer size i might expect it to be concerning a similar because the a77. Shooting a large amount of images like at a football game game will get annoying with the finder blanking out because the camera writes to the cardboard. If I shot sports lots or was a professional i could not just like the electronic read finder the maximum amount.

    Focus peaking is that the best invention that has came out since mud removal or image stabilization. What am i able to say? As a landscape creative person the lean out screen and focus peaking is pretty much as good because it gets. Setting the camera near the bottom and having the ability to compose the shot and focus with exactitude. and since the mirror does not flop up, it's associate degree SLT, there's no would like for mirror lock up. pictures ar super sharp and that i am less probably to induce associate degree out of focus image. and the shutter is incredibly quite. this can be necessary if you shoot life. conjointly I will use the amount on the liquid crystal display and take the guess compute of obtaining grade horizon. With the a99 I even have taken a couple of footage that have completely required no post process work, none.


    source: http://www.photographyreview.com/cat/cameras/digital-cameras/digital-slrs/sony/alpha-a99/prd_500756_3127crx.aspx

    Nikon Coolpix A Review

    Nikon Coolpix A Review

    The latest manufacturer to deliver is Nikon, with its new Coolpix A, a fixed-focal-length lens model with AN APS-C sensing element on the lines of Fujifilm's well-liked X100 and X100s. At $1,099, however, this camera is not for everybody, and initially look has a minimum of a handful of competitive weaknesses.

    The trend toward larger sensing element sizes is very important, as a result of all things being equal, larger sensors tend to deliver higher quality, and makers tend to surround them with higher quality elements. however the cameras also are essentially larger and equipped with fixed-focal length, instead of zoom lenses (for higher optics). At their higher costs, though, many folks realize that a camera with a medium-size sensing element cost accounting a whole bunch less is sweet enough.

    During my temporary likelihood to handle the Coolpix A, it actually felt solid and well-designed. The manual specialise in the lens ring is servoelectronic, that some folks don't love, however optical device appeared zippy enough. I would like it had a true grip rather than the only ridge on the front, though.

    On the and aspect, it's comparatively compact, simply slightly larger than the RX100 and considerably smaller than the X100s. It conjointly encompasses a larger, denser liquid crystal {display|LCD|digital display|alphanumeric display} display compared with the rather "meh" version on the X100s. i feel the X100s' 35mm-equivalent lens could be a very little a lot of sensible than the Nikon's 28mm, although that is a private preference; the Fujifilm's could be a stop quicker, though.

    But there is quite an little bit of a draw back. i think the road value of the Coolpix A are going to be concerning $999 and therefore the X100s concerning $1,099 (based on the value history of the X100), which might be pretty competitive -- if the Coolpix A had a constitutional optical device. Nikon are going to be charging $450 for a comparatively normal Reverse Galilean with ninety % coverage. The X100s not solely has one inbuilt, however it is a cool hybrid one. Fujifilm's model conjointly uses the company's OLPF-free X-Trans CMOS II and encompasses a 9-bladed aperture for rounder, power tool out-of-focus areas, compared to the Nikon's seven blades -- the minimum you'll escape with for good results. whereas the Nikon's sensing element ought to be pretty smart -- i feel it is the same or like the one within the D5200 with some tweaks to optimize the sunshine gathering during this style -- plenty of parents should wish to envision considerably higher image quality for the additional few hundred greenbacks over a camera with a smaller sensing element just like the RX100 or the Canon G1 X. And battery life? i assumed 330 shots was unhealthy for a $1,200 camera, however Nikon's rating of 230 shots is abysmal.

    Senin, 04 Maret 2013

    Canon Powershot SX500 IS Specifications

    Canon Powershot SX500 IS Specifications

     

    IMAGE SENSOR

    Type 1/2.3 type CCD
    Effective Pixels Approx. 16.0M
    Colour Filter Type Primary Colour

    IMAGE PROCESSOR

    Type DIGIC 4 with iSAPS technology

    LENS

    Focal Length 4.3 – 129.0 mm (35 mm equivalent: 24 – 720 mm)
    Zoom Optical 30x
    ZoomPlus 60x
    Digital Approx. 4x (with Digital Tele-Converter Approx. 1.6x or 2.0x and Safety Zoom¹). Combined Approx. 120x
    Maximum f/number f/3.4 – f/5.8
    Construction 13 elements in 10 groups (1 UD lens, 1 double-sided aspherical lens)
    Image Stabilisation Yes (lens shift-type), 3.5-stop. Intelligent IS

    FOCUSING

    Type TTL
    AF System/ Points Face Detection, 1-point AF (fixed to centre)
    AF Modes Continuous, Servo AF/AE¹, Tracking AF
    AF Point Selection Size (Normal, Small)
    AF Lock On/Off Selectable
    AF Assist Beam Yes
    Manual Focus Yes
    Closest Focusing Distance 0 cm (W) from front of lens in macro

    EXPOSURE CONTROL

    Metering modes Evaluative (linked to Face Detection AF frame), Centre-weighted average, Spot (Centre)
    AE Lock On/Off Selectable
    Exposure Compensation +/- 2 EV in 1/3 stop increments.
    Enhanced i-Contrast for automatic dynamic range correction
    ISO sensitivity* AUTO, 100, 200, 400, 800, 1600

    SHUTTER

    Speed 1 – 1/1600 sec. (factory default)
    15 – 1/1600 sec. (total range – varies by shooting mode)

    WHITE BALANCE

    Type TTL
    Settings Auto (including Face Detection WB), Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, Custom

    LCD MONITOR

    Monitor 7.5 cm (3.0”) TFT, Approx. 461,000 dots
    Coverage Approx. 100%
    Brightness Adjustable to one of five levels. Quick-bright LCD

    FLASH

    Modes Auto, Manual Flash On / Off, Slow Synchro
    Slow Sync Speed Fastest speed 1/1600 sec.
    Red-Eye Reduction Yes
    Flash Exposure Compensation +/- 2 EV in 1/3 stop increments. Face Detection FE. Safety FE
    Flash Exposure Lock Yes
    Manual Power Adjustment 3 levels with internal flash
    Built-in Flash Range 50 cm – 5.0 m (W) / 1.4 m – 3.0 m (T)
    External Flash Canon High Power Flash HF-DC2

    SHOOTING

    Modes Smart Auto (32 scenes detected), Program AE, Shutter priority AE, Aperture priority AE, Manual, Live View Control, SCN (Portrait, FaceSelf-Timer, Low Light (4.0MP), Snow, Fireworks), Creative Filters (Fish-eye Effect, Miniature Effect, Toy Camera Effect, Monochrome, Super Vivid, Poster Effect), Discreet, Movie
    Modes in Movie Smart Auto (21 scenes detected), Standard, iFrame Movie, Program AE, Portrait, Snow, Fireworks, Miniature Effect, Monochrome, Super Vivid, Poster Effect
    Photo Effects My Colors (My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color)
    Drive modes Single, Continuous, Continuous with AF, Self-Timer
    Continuous Shooting Approx. 0.8 shots/sec. with AF: Approx. 0.5 shots/sec. LV: Approx. 0.6 shots/sec.(until memory card becomes full)¹²

    RECORDING PIXELS / COMPRESSION

    Image Size 4:3 - (L) 4608 x 3456, (M1) 3264 x 2448, (M2) 1600 x 1200, (S) 640 x 480
    16:9 - (L) 4608 x 2592, (M1) 3264 x 1832, (M2) 1920 x 1080, (S) 640 x 360
    3:2 - (L) 4608 x 3072, (M1) 3264 x 2176, (M2) 1600 x 1064, (S) 640 x 424
    1:1 - (L) 3456 x 3456, (M1) 2448 x 2448, (M2) 1200 x 1200, (S) 480 x 480
    Resize in playback (M2, S, XS)¹
    Compression Superfine, Fine
    Movies (HD) 1280 x 720, 25 fps, (L) 640 x 480, 30 fps
    Miniature Effect (HD, L) 5fps, 2.5fps, 1.25 fps
    iFrame Movie (HD)
    Movie Length (HD) Up to 4 GB or 29 min. 59 sec.¹
    (L ) Up to 4 GB or 1 hour²

    FILE TYPES

    Still Image Type JPEG compression, (Exif 2.3 [Exif Print] compliant) / Design rule for Camera File system, Digital Print Order Format [DPOF] Version 1.1 compliant
    Movies MOV [H.264 + Linear PCM (stereo)]
    iFrame

    DIRECT PRINT

    Canon Printers Canon SELPHY Compact Photo Printers and Canon Inkjet Printers supporting PictBridge (ID Photo Print, Fixed Size Print and Movie Print supported on SELPHY CP & ES printers only)
    PictBridge Yes

    OTHER FEATURES

    Red-Eye Correction Yes, during shooting and playback
    My Camera / My Menu Start-up image and camera sounds customisation
    My Category Image tagging feature
    Intelligent Orientation Sensor Yes
    Histogram Yes
    Playback zoom Approx. 2x – 10x
    Self Timer Approx. 2 or 10 sec., Custom
    Menu Languages English, German, French, Dutch, Danish, Finnish, Italian, Greek, Norwegian, Portuguese, Russian, Swedish, Spanish, Ukrainian, Polish, Czech, Hungarian, Turkish, Simplified Chinese, Chinese (traditional), Japanese, Korean, Thai, Arabic, Romanian, Farsi, Hindi, Malay, Indonesian, Vietnamese

    INTERFACE

    Computer Hi-Speed USB (MTP, PTP) dedicated connector (Mini-B compatible)
    Other HDMI Mini Connector (HDMI-CEC compatible) A/V output (PAL/NTSC)

    MEMORY CARD

    Type SD, SDHC, SDXC

    SUPPORTED OPERATING SYSTEM

    PC & Macintosh Windows 7 SP1 / Vista SP2 / XP SP3
    Mac OS X v10.6 – 10.7

    SOFTWARE

    Browsing & Printing ImageBrowser EX
    Other PhotoStitch

    POWER SOURCE

    Batteries Rechargeable Li-ion Battery NB-6L (battery and charger supplied)
    Battery life Approx. 195 shots¹
    Approx. 540 min. playback
    Approx. 240 min. playback
    A/C Power Supply Optional, AC Adapter Kit ACK-DC40

    ACCESSORIES

    Cases / Straps Soft Case DCC-950
    Flash Canon High Power Flash HF-DC2
    Power Supply & Battery Chargers AC Adapter Kit ACK-DC40, Battery Charger CB-2LYE

    PHYSICAL SPECIFICATIONS

    Operating Environment 0 – 40 °C, 10 – 90% humidity
    Dimensions (WxHxD) 104.0 x 69.5 x 80.2 mm
    Weight Approx. 341 g (including battery/batteries and memory card)

    Zoom ¹ Depending on the image size selected.
    AF Modes ¹ Some settings limit availability.
    Continuous Shooting ¹ Depending on memory card speed / capacity / compression setting.
    ² Using the batteries and memory card format supplied with the camera (where included), except where indicated.
    Image Size ¹ XS is half the length and width of S
    Movie Length ¹ The following Speed Class memory cards are required for maximum record time: (HD) 1280 x 720 Speed Class 4 or above. (Full HD) 1920 x 1080 Speed Class 6 or above. (iFrame) 1280 x 720 Speed Class 6 or above.
    ² Depending on memory card speed / capacity / compression setting.
    Battery life ¹ Using the batteries and memory card format supplied with the camera (where included), except where indicated.
    • *Standard Output Sensitivity / Recommended Exposure Index.
    • According to ISO 12232:2006 (20th April 2006) which specifies the method for assigning and reporting ISO speed ratings for digital still cameras.
    • All data is based on Canon standard testing methods (according to CIPA Standards) except where indicated.
    • Subject to change without notice.


    Canon D5200 - Refinement D5100

    The Nikon D5100 may be a solid camera with wonderful photograph and video quality, however comparatively sluggish performance tarnishes its attract on behalf of me. Nikon fixes that within the D5200 with identical new optical device and metering systems that debuted within the D600, and Associate in Nursing updated higher-end optical device, and therefore the result's a perceptibly higher shooting expertise that produces it a wonderful selection for all-round family and vacation photography.

    Image quality
    As with the D5100, still and motion image quality remains excellent; however despite a replacement sensing element and updated image-processing engine, it isn't perceptibly higher. The camera will an excellent job optimizing its JPEGs -- whereas raw still offers you a lot of adjustment latitude than JPEG, there does not appear to be any profit for sharpness or noise reduction till you hit regarding ISO 1600. pictures look pack up through ISO 800, sensible through ISO 1600, and stay usable through ISO 6400 relying upon subject material and output size.

    Exposure and dynamic vary look sensible, although the camera tends to supply darker exposures than I expect underneath a given set of circumstances. redeemable highlight and shadow detail square measure in line with what I expect from a camera in its category. It reproduces colours with solid accuracy, and therefore the default color settings do not push distinction or saturation overmuch; the most important distinction between the quality and neutral settings appears to be sharpness.

    Video appearance sensible similarly, with suprisingly few artifacts. Even low-light video, that on several cameras tends to point out plenty of sparkling and moiré on edges as noise will increase, displayed nice solidity. The tonal vary will decrease because the setting gets darker, with a lot of blown-out highlights and crushed blacks -- that is common -- however otherwise it's wonderful.

    Performance
    The performance of the Nikon D5200 has improved quite an bit over the D5100, due to Associate in Nursing updated optical device system, however that is not while not qualification. (Note: I've left the D5100's performance times within the chart, they don't seem to be directly comparable attributable to our amendment in testing MEthodology; I enclosed them as a result of they strike me as roughly representative. The T4i was tested victimization our current system.)

    Because our shot lag tests incorporate a major distance refocus Associate in Nursingd exposure adjustment -- we start with the lens adjusted for an object near the camera, out of the vary of the lights before specializing in the a lot of distant, otherwise lit scene -- how briskly the lens drives to the new location well affects lag time. Since the D5200 has no inbuilt AF motor, that performance are heavily determined by the motor within the lens, and during this case, the 18-55mm kit lens drives comparatively slowly. However, our shot-to-shot times, that do not need any signficant lens movement or exposure adjustment, do mirror the speed boost.

    The camera powers on and shoots quickly, in about 0.3 second. Time to focus, expose and shoot in sensible lighting takes regarding zero.5 second and in poor lighting regarding zero.8 second. 2 sequential shots run a wonderful zero.2 second for either JPEG or raw, and therefore the flash will increase that to one.2 seconds, although the latter is tough to live as a result of the camera does not answer a shutter press (i.e., you cannot prefocus) till the flash has completed usage.

    It has wonderful continuous-shooting performance for its category, 5.1fps JPEG for Associate in Nursing effectively unlimited variety of frames (more than 40) while not fastness, a minimum of once equipped with a quick 95MB/sec SD card. For raw, it maintains five.5fps for eight frames, then slows -- unpredictably -- to regarding a pair of.2fps.

    The updated optical device system is quick and correct, and as was common its continuous focus following system appears to figure practically. (I did not have the chance to check it extensively, however.) That aforementioned, the auto-area AF choice is as comparatively retarded as most of its peers, tending to pick out the closest or brightest space within the scene. though I did not formally take a look at the Live read (contrast) optical device speed, in observe it felt astonishingly responsive most of the time, each for stills and video. whereas it uses Nikon's full-time  AF for video, it isn't as quick or quiet as Canon's memory contrast-AF implementation; on the opposite hand, it's most likely quick and quiet enough for many uses (though it depends upon the lens), and it does not need an entire new set of pricey lenses.

    Unfortunately, I still realize the show slightly too contrasty, oftentimes deceptive ME into thinking my exposures square measure off.

    Design and options

    Like several in its value category, the D5200 feels plasticky, however solid and comparatively light-weight. On the top-right shoulder of the camera sits the cluttered-looking mode dial with the same old set of manual, semimanual, and automatic modes and a Live read switch extending from it. The show record button, information button, and exposure compensation buttons square measure behind the jazz band shutter button and power switch, with a drive mode button on the center right. the rear controls square measure organized in an exceedingly typical fashion. info|the knowledge|the data} edit button -- to not be confused with the data button on the highest -- brings up the interactive information show wherever you modify most of your shooting settings. whereas there is still no thanks to lock the navigation switch to forestall accidental AF-point changes, I did not have the maximum amount bother with it now around. I like a thumb-operated record button and realize the drive-mode button a trifle degree|somewhat|slightly|alittle} small and exhausting to feel, however overall the camera delivers a efficient shooting expertise.

    Though the optical device has similar specs thereto of the D5100's, and it's still slightly dim, it currently has massive, visible AF space markers Associate in Nursingd an optional  grid overlay; as i actually hate the small AF dots of its forerunner and Canon's Rebel series, to ME this is often an enormous improvement.

    Like the body style, the feature set hasn't modified a lot of, however it's fairly all-round for its category -- as long as you do not yearn for on-board wireless file transfer or geotagging. The few tight effects choices embrace the clever visual modality mode, a awfully helpful thanks to profit of the sensor's capability of skyrocketing gain up to ISO 102,400. In color, the results would be useless. however by changing the results to black and white, you get the flexibility to shoot in close to darkness and procure usable -- although not optimum for high-resolution printing -- results. All operate in show capture similarly as still.

    The two-shot HDR autocombine implementation remains annoying -- you've got to travel into the menus and re-enable it when each shot unless you assign it to Fn. however there square measure different things i need to assign to Fn. In either case, Nikon clearly views it as a one-shot override feature instead of a setting you'll have to use repeatedly for a brief time. moreover, 2 shots do not extremely give a "high" dynamic vary, simply a rather extended one. It works OK for gap up some shadow detail, however will very little to bring down the highlights. If you wish to try to to HDR the old style manner, you'll not be excited with the D5200's choices. It offers three-shot bracketing up to 2 stops.

    On the opposite hand, Nikon's perpetually been there for time-lapse shooters, and therefore the inbuilt intervalometer remains a key advantage. There are 9 custom image vogue settings slots, and you'll outline up to ninety nine in software system and share them among multiple cameras. like the T4i, though, there is not any thanks to save and recall custom settings.

    Like Nikon's different client dSLR bodies, the dearth of Associate in Nursing AF motor within the body implies that the D5200 needs the company's AF-S lenses if you intend to use optical device. that is not a major disadvantage for the everyday client WHO does not purchase plenty of lenses, however it's unsatisfactory if you wish a reasonable body to combine with more-expensive lenses.

    Conclusion

    While on paper the D5200 does not extremely stand out from the specialised competition -- Canon has its video-optimized AF system, Pentax has its weather-resistant bodies, and Sony has its speedy models with inbuilt geotagging -- it quite succeeds as a general model for family and vacation photography.